The One Show

The One Show is one of the most prestigious awards competitions in advertising, design, interactive and branded entertainment. Judged every year by top industry professionals, a Gold Pencil is the ultimate symbol of creative excellence.

The One Show 2020 is officially open for entries! With new categories, a restructuring of disciplines and more flexibility with campaigns, there are more opportunities to win a coveted One Show Pencil than ever before!

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2016 One Show Interactive Jury

Olivier Lefebvre

Executive Creative Director

FF Paris

Olivier’s talents and instincts as a creative director are nationally and internationally rewarded.

His professional growth also earned him a well deserved admiration: He started as a copywriter at ddb paris and became creative director at clm-bbdo in less than 10 years. In 2014, excited by ff paris creative vision, he decided to join the agency as the executive creative director.

Throughout his career, he worked for more than 30 french and international brands. He was involved in the development of clients such as mercedes france, tag heuer worldwide, pepsi-co international, mars group (mars, snickers, m&m’s, whiskas, suzy wan, ...), greenpeace, audi, lipton international, aviva, eurostar, the economist (worldwide campaign), edf digital, la redoute, bouygues telecom, l’équipe, voyages- sncf.Com and inpes tabaco.

He has worked and succeeded for campaigns such as the popular guy cotton “sortieenmer.Com”, la redoute “la réponse à l’homme nu“ (response to the nude man)”, greenpeace “anewwarrior.Com” (more than 15 international awards, including the grand prix at one-show), the worldwide campaign for lipton yellow label...

He is now part of the exclusive club of french creative directors, and is internationally multi-awarded (20 cannes lions including 5 cyber, grand prix of one-show interactive, yellow pencil of d&ad, 5 effie, 25 eurobest, 8 clio...). He was also selected “creative team of the year” with benjamin marchal by the art directors club in 2012 and 2013.

 

 

 

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