ONE Asia Creative Awards

ONE Asia Creative Awards celebrates the best creative work of the year from the Asia Pacific region. Formerly known as the One Show Greater China Awards, which was founded in 2014 by The One Club for Creativity, the awards were established because of the tremendous growth and evolution of creativity in the Asia Pacific market. It presents an unparalleled level of prestige and honor for creatives, designers and innovators in the region. The awards are a fusion of culture where East meets West that brings the creativity of the region to the global stage.

2025 ONE Asia - Branded Entertainment

Night Fishing

Agency INNOCEAN / Seoul + Hyundai Motor Company / Seoul + Markenfilm Asia / Seoul + Stannum / Seoul

Client Hyundai Motor Company

Category

Brand Partnerships

Annual ID

OA25_BEN003S

Background

[Hyundai Offering an Immersive Experience with 「Night Fishing」]

「Night Fishing」 is a 13-minute branded film shot using only seven cameras mounted on the IONIQ. Hyundai Motor Company aimed to provide consumers with an immersive experience through pure entertainment rather than traditional advertisements. The company was determined to officially screen 「Night Fishing」 in theaters, offering the optimal setting for an engaging experience.


[CGV, the World's 5th Largest Movie Theater Chain, Finds a Way to Fill Empty Theaters After the Pandemic]

Since the COVID-19 pandemic, theaters have faced a prolonged recession. CGV, South Korea's leading multiplex chain, was exploring innovative ways to bring audiences back to its still-empty theaters.

Creative Idea

[Win-Win Partnership]

「Night Fishing」, a 13-minute branded film screened for just $1, sparked massive interest and achieved 100% media coverage. This success is the result of Hyundai Motor Company's effective strategy to partner with multiplex chain CGV, offering consumers an immersive brand experience through high-quality entertainment content rather than traditional advertisements.

On the other hand, CGV needed a way to bring audiences back to theaters with a 30% recovery rate after the pandemic. CGV had to find an opportunity to let the audience experience the high-quality visuals and sound that only theaters can offer, unlike YouTube or OTT services. The short 13-minute runtime and the affordable $1 ticket price reduced the psychological barrier for audiences to return to the theaters. 「Night Fishing」 not only attracted viewers but also encouraged them to watch additional feature films, breathing new life into the stagnant theater industry.

Insights & Strategy

[Hyundai’s 13-Minute Branded Content Revives Theaters]

Hyundai Motor Company, aiming to offer consumers an immersive experience, partnered with CGV, which was searching for ways to draw audiences back to empty theaters after the pandemic. Together, they created a win-win strategy for the release of 「Night Fishing」, which was screened in theaters nationwide for just $1, placing the 13-minute short film between feature film screenings. This marked the first time a branded film had been officially released through a formal classification process.

「Night Fishing」, a high-quality short film offering top-tier visuals and sound, quickly became a hit, ranking No. 1 in audience occupancy rate and surpassing prominent commercial films. The film also generated consumer interest, achieving the best brand preference for the IONIQ. Furthermore, one out of three of the audience who came to watch 「Night Fishing」 stayed to watch additional feature films, helping audiences return and reviving the theaters.

Execution

The 「Night Fishing」 campaign followed the same process as feature-length commercial films. The film’s world premiere took place at Chef Dance, the principal program of the Sundance Film Festival. Before its release, the campaign gained pre-viral traction through various media channels, including OOH advertising, film magazines, and the multiplex CGV’s owned media (YouTube, Instagram, etc). Online and offline premiere events featured limited-edition merchandise and special posters inspired by the movie’s motifs. Following its release, a special exhibition was installed at Hyundai Motor Studios nationwide, showcasing a behind-the-scenes film and offering IONIQ test drives.

*Timeline

- August 30, 2023 : Crank-in (Start filming)
- September - December 2023 : Editing & sound design
- January 2024 : World Premiere at Chef Dance, Sundance Film Festival’s principal program
- June 2024 : Official release in theaters nationwide (CGV)
- July 2024 : Won Best Editing Award at the 28th Fantasia International Film Festival
- July 2024 - Present : 「Night Fishing」 exhibition at Hyundai Motor Studio

Results

The movie 「Night Fishing」 did not use any media budget but instead earned revenue from ticket sales. In the competitive K-Movie market, it received great reviews, leading to passionate interest in the IONIQ brand.

1) #1 Audience Occupancy Rate (Surpassing 'Inside Out 2')
2) 300% Average Ticket Sales
3) 250% Extended Screening
4) OTT Rating No.1 for 2 weeks (Korea's leading platform TVING)
5) 100% Media Coverage
6) 200% Gen Z Search Rate
7) 98% Brand Sentiments
8) 13.7B PR Value
9) 767% Impact Over Previous Campaigns
10) 126% Dealership Visits
11) 155% IONIQ Test Drive

Additionally, one in three audience members who watched 「Night Fishing」 stayed to watch the following feature film. This breakthrough helped attract new audiences to the multiplex chain CGV, which had been struggling since the pandemic. As a result, overall ticket sales at CGV during the screening of 「Night Fishing」 increased by more than 17% compared to the average.

2025 Awards

Total Points: 14

Silver Award

Credits

Agency

INNOCEAN / Seoul

Client / Brand

Hyundai Motor Company / Seoul

Production Company

Markenfilm Asia / Seoul
Stannum / Seoul

Post Production Company

Planit Production / Seoul

Art Director

Eun-Ha Oh

Chief Creative Officer

Jung A Kim

Creative Director

Nari Moon

Creative Technologist

Hye-dong Roh

Director of Photography

Hyungrae Cho

Film Director

Byoung-Gon Moon

Global Chief Marketing Officer

Sungwon Jee

Sound Designer

Jack Patterson
Tom Joyce

Writer

Sukjae Hong

Assistant Editor

Hyeon-Jun Kim

Executive Producer

In-Ah Lee
Young-Hwi Seo

A Cam Operator

Kyuyeon Lee

Account Director

Bo-Kyung Kim
Min Kang

Account Executive

Sarah Yuna Choi
Sejin Sam Kim

Actor

Sukku Son

Assistant Sound Desginer

Ehyun Moon
Hyunji Shin

B Cam Operator

Wonwoo Jung

C Cam Operator

Taewoo Kim

CEO

Suyoun Choi

Chief Account Director

Hak-no Hayden Yun

Colorist

Sönke Heuer

Composer / Head of Music

Luis Almau

Costume Designer

Kyunghwa Chae

Drone Operators

Kihyuk Nahm
Siyoon Kim

First Assistant Director

Hoyong Jeon

Gaffer

Gilgyu Lee

Head of Group

Bongjo Kang

Head of Sub Division

Jumi Kim

Head of Team

Sae-mi Shin

Manager

Eugene Song
Jiyeon Che

Managing Director / Executive Producer Soundtree

Jay James

Managing Directors

Peer Münster
Yacoob Essack

Production Designer

Soohee Kim

Senior Account Director

Gye-Eun Chang

Senior Manager

Boyoung Joo
Seokhyun Alex Oh

Songs, Additional Original Score

Brand Newjiq
Jaehyun Kim

Sound Desginer

Heekook Hur

Sound Designer / Head of Sound

Henning Knöpfel

Stunt Coordinator

Namseok Noh

Title Sequence by

Dongwook Cho
Yoosun Kang
Heebok Lee
Hyunji Yoon

VFX Artist

Chiyoung Park
Chohwi Park
Heeji Kim
Hyeongbin Yoon
Jiyoung Kim
Yookyung Hong
Youjin Lee

VFX Producers

Pawel Wlodarczyk
Tania Samkova

VFX Supervisor

Sergi Tiginashvili

VFX Supervisor & Senior 3D Artist

Dawid Cencora

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