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2025 One Show - Moving Image Craft & Production

It's Possible

Agency Pinterest House of Creative + Cabin Editorial / Santa Monica + ICONOCLAST / Los Angeles + Noise VFX / Venice

Client Pinterest

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Category

Special / Practical Effects / Series

Annual ID

OS25_MI104M

Background

Our first campaign aimed primarily at Gen Z, a demographic that is all about exploring, crafting and curating their own personal taste, and in turn their identity, we wanted to showcase Pinterest as THE place to find inspiration, and create a life you love. So we leaned heavily into the real stories of real Pinners, but we then brought those stories to life in wildly different fantastical, humorous and unexpected ways. Allowing us to highlight and celebrate different use cases, speak to different micro-audiences within this wildly diverse demographic that is Gen Z, and demonstrate what truly makes Pinterest special in an immersive, surreal, visually captivating way.

Creative Idea

Pinterest provides the inspiration for anyone to create a life they love and this campaign taps directly into that spirit of inspiration. Taking viewers on one cinematic, surreal, fantastical, whimsical ride, each inspired by the wildly different ways people use Pinterest, after another. Where the journey of self-discovery is an adventure, and something amazing lies around every turn. Showcasing Pinterest as a place where different disconnected ideas come together to create something totally new, and dreaming and doing collide. A magical alchemy that makes Pinterest a truly unique way to help people define themselves, catalyze their ambitions, and envision the life they want to live, full of the things that fire their imaginations.

Insights & Strategy

Pinterest lives in “the magic middle”. Where dreaming and doing come together and create an alchemy like nowhere else. Where users don’t just find inspiration, they are empowered to act on it and manifest their goals. This campaign, aimed primarily at Gen Z, was designed to capture the experience of that magic middle. Bringing to life different worlds, in different films, each based on real world stories, of the real people who use Pinterest, but where those stories are told in the most immersive way possible.

Execution

We wanted this campaign to be as interesting, crafted and curated as the Pinterests boards that inspired it. So we spent countless hours combing through hundreds of boards in search of the perfect meatball, the perfect dress, the perfect accessory, and so on. We then created worlds that felt like you were stepping into one of those boards. Using practical sets and effects, thousands of props, and capturing as much in camera a possible. Resulting in films that feel real. And alive. And tactile and intentional in the way that Pinterest does. A tongue-in-cheek voice over then, literally, told the story of each world, as though from something out of a surreal storybook. The elements coming together that looked, sounded, and most importantly felt, like Pinterest.

Results

It’s Possible, Pinterest’s boldest film campaign to date, proved that creativity outperforms spend. With 31% less media investment, the campaign delivered a 33% year-over-year increase in impressions, demonstrating the power of storytelling designed to inspire action.

Audiences didn’t just watch, they stayed. Across platforms, the campaign achieved an extraordinary 982,000,000 video completions to date and a 26% click-through rate on social, turning passive scrolling into purposeful exploration.

Most importantly, It’s Possible drove real-world behavior, fueling a gain of more than 6,700,000 in monthly active users — proof that when imagination meets intention, people show up.

With It’s Possible, Pinterest didn’t just capture attention. It turned possibility into performance.

2025 Awards

Total Points: 3

Merit

Credits

Brand-Side / In-House Agency

Pinterest House of Creative

Production Company

Iconoclast / Los Angeles
Noise VFX / Venice

Post Production Company

Cabin Editorial / Santa Monica

Chief Marketing Officer

Andréa Mallard

Copywriter

Gage Clegg

Creative Director

Nico Mascarenhas

Editor

Rami D'aguiar

Assistant Editor

Brad Dupuie
Tom Pasten

Creative Director, Art

Micaela Brookman

Executive Creative Director, Art Director, Copywriter

Becca Morton

Sr. Copywriter, Social & Product

Abby Adesanya

1st AD

Carolina Sentelhas

1st AD (2nd Unit)

Von Gabriel

2nd AD

João Prata
Priscila Trabulsi

Assistant Producer

Brendan Gates

Awards Consultant

Harley Saftler

Brand Research Lead

Whitney Paul

CG Animator

Abby Boyce
Andrew Price

CG Lighter

Ryan Kirkwood
Zhenya Vladi

CG Modeler

Jemmie Molero
John Pozo

Colorist

Nate Seymour

Colorist, Creative Partner

Ricky Gausis

Compositor

Alysha Distelbrink
Bram Vleugel
Bram Buddingh
Darryl Burisma
Luke Yalva

Costume Designer

Ana Wainer

Designer, Social & Product

Camille Sudekum

Director of production

Liz Lydecker

Director, Integrated Marketing UK

Lou Richardson

Director, Integrated Marketing US

Michael Whitten

Founder/Creative Director

Michael Gregory

FX Animator

Anthony Morelle
Ritchy Wattimena

Global Integrated Marketing Lead

Shani Syphrett

Head of CG/Supervisor

Corinne DeOrsay

Head of Production

Blythe Barger

HOP

Michelle Dorsch

Integrated Marketing Manager UK

Emma Wallace

Integrated Marketing Manager US

Nicole Sanders

Line Producer

Andre Bauer

Make up

Mari Kato

Managing Director

Charles-Marie Anthonioz
Pity Lieutaud

Managing Partner

Robert Owens

Mixer Assistant

Noah Gomez

Previs Artist

Alex Moon
Peter Sellers

Prod. Designer

Carol Ozzi

Production Coordination Assistant

Carolina Loureiro

Production Manager Brazil

Fabio Arisaka

Senior Compositor

Chung Pu (Duff) Hsiao
Jim Spratling

Sound Designer and Mixer

John Bolen

Sr. Creative Producer

Adrienne Bullock

Sr. Paid Media Lead

Sunny Nguyen

VFX Supervisor

Boyo Frederix

VP, Consumer Marketing

Sara Pollack

VP, Global Creative

Xanthe Wells

VP, Growth Marketing

Lisa Sullivan-Cross

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