The One Show

The One Show is the world's most prestigious award show in advertising and design. For over 50 years, the Gold Pencil has been regarded as one of the top prizes in the creative industry. The One Show has a rich legacy of honoring some of the most groundbreaking ideas, created by some of the most remarkable minds in creativity.

2026 One Show - Film & Video

Frankenstein

Agency Goodby Silverstein & Partners

Client Xfinity

Category

Use of Humor

Annual ID

OS26_FI038B

Background

Xfinity has been facing an increasingly competitive telecommunications landscape, with competition chipping away at Xfinity’s market share, reducing the overall marketing conversation to faster speeds and cheaper prices, and fueling a transactional relationship between consumers and their connectivity providers. To stay in the race, Xfinity had always focused on marketing the superiority of their internet, mobile, entertainment and security products in isolation.

Xfinity saw an opportunity to break out of the category and position its products as an integrated ecosystem experience that works better together with WiFi at its core. The clients challenged us to create a campaign and creative that would not only make people feel something about the brand but also help usher in a shift from a transactional provider of à la carte connectivity services to a premium tech brand delivering an integrated technology experience that is central to your connected life. The overarching brand platform that emerged, Imagine That, focuses on telling stories that invite consumers into a world where technology comes together and fades into the background, working so seamlessly that life feels simpler, safer, more extraordinary and more fun.

Creative Idea

To introduce the “Imagine That” campaign, our client needed a launch spot that could seamlessly feature all their touchpoints in a single story. So we set out to find our hero character, someone who would benefit more than anyone else from using all of Xfinity’s products and features. We leveraged IP from Universal Pictures, a company in the Comcast family, and chose Dr. Frankenstein’s monster, a creature who, at the beginning of our story, is unable to learn even basic language no matter how hard the frustrated doctor tries. But when left alone for the weekend in the castle, the monster discovers Xfinity, and his whole world transforms.

Insights & Strategy

Xfinity, like all other telecommunications companies, has always been seen as a transactional gatekeeper. For consumers, it is a necessary utility and wholly uninspiring. We had to find a way to forge a new, emotional relationship with the brand and consumers.

While technology promises to make things seamless, your entertainment, mobile, security and connectivity are all cobbled together through disconnected services that are anything but seamless. From having to install third-party authentication apps to subscribing to multiple streaming services to get all their favorite shows, consumers face a lot of friction in trying to achieve a connected life today. True connectivity isn’t about more tech; it’s about the invisible harmony that allows you to be fully immersed and engaged in your life. Xfinity is a brand that believes their products should be intuitive, invisible and inspiring. We saw an opportunity to reframe Xfinity’s role from a provider of individual tech to an orchestrator that brings everything together to unlock a seamlessly connected life.

Execution

To bring this ambitious and cinematic story to life, we hired Lance Acord to direct. His work on award-winning films such as “Where the Wild Things Are” made him the perfect choice. Göran Lundström, the Oscar-winning makeup artist, then came aboard to create our monster. And the Universal Parks crew joined as our indispensable consultants. As a team, we became immersed in the groundbreaking 1930s version of “Frankenstein” starring Boris Karloff, which led us on a path to faithfully re-create our Frankenstein story in its image. This path took us to Hungary and Slovenia—the lands of castles—for our shoot, where local crews sourced old Soviet laboratory artifacts to build our set, where our wardrobe team designed clothes fitting of the period and where our monster got a crash course in the joys of being human.

Results

As the title launch spot of our Imagine That brand platform, “Frankenstein” landed with a splash, with press coverage from major publications like “Adweek,” “Ad Age,” “Little Black Book,” “Muse by Clios” and so many more, generating an estimated reach of 99.5M. As the spot is still running in market, we do have early indications that it’s been a hit with consumers. The spot was tested in Ace Metrix and garnered the highest Ace Score (which measures an ad’s ability to garner attention, likability, watchability, desire, relevance and more amongst consumers) Xfinity has seen this year, performing +90 points higher than the 2025 brand average and +94 points higher than the footprint telco-industry average. Additionally, consumers have shared the spot organically to Reddit threads like r/HilariousAds and r/CommercialsILove and have left comments on social media praising the creative, claiming it was “the best ad they’ve seen all year,” “absolutely brilliant & hilarious,” “one of the few ads I actually watch all the way through” and “I’m getting Xfinity because of this.”

2026 Awards

Total Points: 9

Bronze Pencil

Credits

Agency

Goodby Silverstein & Partners

Production Company

Park Pictures

Music / Sound Production Company

Little Ears
Future Perfect
Sound Lounge

Post Production Company

Exile Edit
Pariah
Catch and Release

Art Director

Megan Platt

Composer

John Connolly

Copywriter

Cat Zelenka

Editor

Grant Surmi

Executive Creative Director

Pete Harvey

Sound Designer

Brian Emrich

Assistant Editor

Juan Steck

Creative Director - Art

Sean Farrell

Creative Director - Copywriter

Colin Nissan

Account Director

Kyla Novell

Assistant Account Manager

Ellizabeth Gordon

Business Affairs Manager

Kaitlyn Ahlefield

Chief Growth Officer

Jon Gieselman

Colorist

Daniel DeVue

Costume Design

Christine Wada

Director of Business Affairs

Andrew Zinker

Director of Strategy and Innovation

Alan Stout

Director, Brand Marketing

Victoria Cianciulli

Director/Director of Photography

Lanc Acord

Executive Director, Brand Marketing

Diana Hicks

Founding Partner

Jackie Kelman Bisbee

Group Account Director

Ola Abayomi

Head of Content Production

Amy Wertheimer

Head of Production and Operations

Chelsea Schwiering

Junior Communication Strategist

Emma Cotter

Manager, Brand Marketing

Sarah Kezbari

Managing Director

Mark Tobin
Sasha Hirshfeld

Managing Partner

Leslie Barrett

Mixer

Tom Jucarone

Music Supervisor/Partner

Maxwell Gosling

Production Design

Dominic Watkins

Prosthetic Makeup

Göran Lundström

Senior Communication Strategist

Taylor Yada

SVP, Marketing Communications

Todd Arata

VFX Supervisor

Pat Murphy

Vice President, Brand Marketing

Dustin Hayes

VP, Content Production

Ashley Henderson

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