The One Show

The One Show is the world's most prestigious award show in advertising and design. For over 50 years, the Gold Pencil has been regarded as one of the top prizes in the creative industry. The One Show has a rich legacy of honoring some of the most groundbreaking ideas, created by some of the most remarkable minds in creativity.

2026 One Show - Music & Sound Craft

Help!

Agency McCann Canada / Toronto

Client Kids Help Phone

Category

Music Adaptation / Song

Annual ID

OS26_MS017M

Background

Founded in 1989 as a crisis line, Kids Help Phone (KHP) has evolved into Canada’s only free, 24/7 e-mental health service dedicated to youth – funded largely through public donations. Yet its legacy as a crisis line continues to shape how help is understood – and whether adults recognize their role in supporting it financially.

Challenge
Many people still don’t understand what KHP does – because their name sounds like it’s only for emergencies(1).
As a result, adults underestimate the scope of KHP’s help and the need to fund it, even as demand for youth mental health services continues to grow(2).

Objective
To drive donations from adults by:
1. Clarifying KHP’s importance as support for everyday emotions – not just crisis
2. Reinforcing the urgency of supporting KHP financially.

Creative Idea

Help! shows that “help” from KHP means everything.

Drawn from over 50 million data points from anonymized and aggregated conversations with KHP, we transformed lived emotional experiences into the creative itself. By showing that help exists for all emotions, Help! makes youth mental health visible to adults – highlighting the need for support.

Insights & Strategy

94% of parents think their kids’ mental health is “good”(3), yet 1 in 2 young people report struggling with their mental health alone(4). This gap reveals a critical disconnect – not in need, but in adult understanding of when and how support is needed.

Social listening reinforces this tension. Young people express a desire for help but hesitate to involve adults, sharing sentiments like “I really want to tell my parents but I’m scared” and “how do I tell my parents?(5)”. Adults assume support is already in place, while youth often put a brave face on to avoid talking about their mental health (69%(6)).

Across Canada, mental health support services are often positioned as crisis only –requiring doctor’s referrals that can cost money, parental involvement, and limited opening hours. This framing signals to adults that help is only necessary at the breaking point, reducing perceived urgency and motivation to support services earlier.

KHP offers free, private, 24/7 support specifically designed for young people. But the perception gap remains: because its name sounds crisis-only, adults often fail to recognize KHP as everyday support worth funding. As a result, help feels irrelevant – overlooked by adults.

This led us to our insight: Help is ignored when it doesn’t feel relevant.

Execution

Based on the insight, we needed to make ‘help’ feel relevant to the adult donor target.

At the heart of the Help! film is an original cover of The Beatles’ “Help!” The iconic anthem sets an emotional tone that feels both nostalgic and raw – instantly recognizable to adults, while reframed through the lens of youth emotion.

Our goal with the cover was to not only reinterpret the track but to expand on it, scoring the emotional momentum of the poignant stories within the film. With no dialogue or voiceover, the emotional performance from our lead vocalist, supported by youth background vocalists including a choir, carries the narration. The absence of the iconic and bold delivery of “Help!” from the original off the top invites the audience to pay attention to the lyrics. Instrumentation is built around the vocals to allow the lyrics to shine and be heard in a new light – giving weight to and drawing emotion from each word.

The arrangement heightens the emotional stakes, shifting between moments of quiet intimacy and soaring crescendos. Some sections shift genres while others build on familiar melodies, culminating in the epic crescendo of the finale and message “Help”.

Each scene in the film is based on real, anonymized and aggregated conversations between youth and KHP. Every moment is choreographed so that as the song builds, so do the feelings expressed on screen, creating a deeply felt portrayal of inner struggles that often go unseen.

While the film anchored the campaign, the idea extends across OOH, DOOH, print, social, and immersive digital experiences, ensuring it meets people throughout their everyday lives.

Results

Help! drove a record level of adult donations, helping fund and scale access to safe mental health support for young people:

● +87% year-over-year increase in number of donations – a breakthrough shift in adult giving behaviour
● +4% increase in consideration to donate to KHP after the launch of Help!, thanks to the highest campaign awareness since 2023 at 36%
● +9 point increase in trust among donor target audience, outperforming category average

Beyond fundraising impact, the film sparked a national, very relevant conversation about the emotional realities young people face today – bringing visibility to feelings that are often overlooked or left unspoken.

Sources
1. KHP IMI Brand Health Tracking Data W2 (2024).
2. Mental Health Commission of Canada (2023). Brave New World. https://mentalhealthcommission.ca/catalyst/brave-new-world/
3. Statistics Canada (2024). 2023 Canadian Health Survey on Children and Youth – Changes in the mental health of respondents from the 2019 survey. https://www150.statcan.gc.ca/n1/daily-quotidien/240910/dq240910a-eng.htm 
4. KHP Proprietary Data (2024)
5. Pulsar Social Listening Data (2024)
6. MIND (2024). UK hiding behind a ‘brave face’ to avoid speaking about mental health. https://www.mind.org.uk/news-campaigns/news/uk-hiding-behind-a-brave-face-to-avoid-speaking-about-mental-health/

2026 Awards

Total Points: 3

Merit

Credits

Agency

McCann Canada / Toronto

Production Company

Alfredo Films / Toronto
Sauvage

Music / Sound Production Company

Grayson Music / Toronto

Post Production Company

Nimiopere / Toronto
Omnicom Production
The Vanity / Toronto

Chief Creative Officer

Jordan Doucette

Chief Strategy Officer

Aj Jones
Josh Hansen

Group Creative Director

Athina Lalljee
Pedro Izzo

Director

Ernest Desumbila

Editor

Chris Chang

Music Supervisor

Warren Bray

Producer

Eva Laffitte

Executive Producer

Katie Methot

Senior Art Director

Tina Peng

Senior Copywriter

Ethan MacDonald

Senior Strategist

Sabrina Lau

VP, Executive Producer

Jana Tuck

2D & Motion Design

Arantxa Gil
Bartomeu Plomer

3D Generalist

Albert Montero
Alejandro Gazquez
Carlos Yau
Gerard Rodriguez
Ricard Castilla
Victor Peréz

Account Supervisor

Farida Shagara

Compositing Artist

Joan Palacios
Marc Costa
Silvia Torrella

Compositing Artists

Adrià Draper
Aurelio Pozas
Daniel Lores
Diogo Santos
Guillem Maresma

Cover Composer

Andrew Austin

Creative Project Manager

Teseo Cuadreny

Cultural Advisor

Angela Fufeng

Exec Producer

Kelly McCluskey

Founder / Editor

Raj Ramnauth

Founder / Executive Producer

Julie Axell

French Translator

Genevieve Malette

Music director

Lowell Sostomi

Music Research

Jon Dick

Post Producer

Amanda Serradell
Yukio Montilla

Senior Colourist

Andrew Exworth

Sound Designer & Engineer

Eric Hulme

VFX Artist

Emanuel Espinoza
Genis Ferrer
Jodi Arques
Roger Oller

VFX Artists

Arnau Espàrrech

Video editor

Jason Kan

Vocals

Andrew Austin
Erica Wilson
Kayla Diamond
Mike Nelson

VP, Group Account Director

Emily MacLaurin-King

Related Awards

 

 

 

 

Follow Us